“It's necessary to track characters all the way through an opera. If you're dealing with more than one or two characters, it's very easy to forget that the others have lives of their own that feed into the story.”
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If an American audience is given a serious musical theater piece that is well produced, dramatically gripping and wonderfully acted, they'll respond to it.
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I was interested in what was really going on in Salem at that time, and I resolved to investigate this seemingly unorthodox treatment of the people and the period.
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You can't possibly predict what will last or not. But once you attempt to write for the ages, you're doomed.
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