All Leo Ornstein Quotes
Because essentially Schoenberg was an extremely gifted man. And in spite of many of his theories and so on, when he really began to write music, he still was guided very much by his internal hearing, by what we call your internal ear.
Leo Ornstein
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No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music.
Leo Ornstein
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When I was speaking about communicating, I meant that the listener - we have to reach the listener; otherwise, of course, you're writing the piece, as I say, only for the satisfaction of seeing it on the paper for yourself, and then it ends right there.
Leo Ornstein
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I'm really interested in writing a piece of music that will move you, that will really move you. That is really the only reason that I'm writing music.
Leo Ornstein
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I think there have been some periods when the writing almost became a bit of a burden.
Leo Ornstein
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Well, no. I believe that it's not at all impossible that some of the performances that I've heard so far by some pianists may be superior to my own playing because those are two totally different acts altogether.
Leo Ornstein
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There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things.
Leo Ornstein
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But in the end, music is ultimately an aural art, pure and simple.
Leo Ornstein
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I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing.
Leo Ornstein
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To the person that deals in visualizations, I suppose there is something rather exciting about a whole set of people - they all going symmetrically, up or down, in a military sort of precision.
Leo Ornstein
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Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express.
Leo Ornstein
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Hopefully, I have a certain amount of what you call musical talent.
Leo Ornstein
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Today each composer is not only involved in aesthetics, but he's actually trying to create his own language.
Leo Ornstein
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The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment.
Leo Ornstein
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